Since last October, the growing instrumentalization of anti-Semitism by Zionist groups around the world, including those who identify with feminisms and the anti-fascist movement, is notorious.
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In the West, institutions, especially those relating to arts and culture, have been challenged to end their exclusionary practices and introduce “diversity” to their institutions. Depending on the locality of the institution, differing forms of diversity ranging from gender, race, socio-economic class, migration background, language, age, etc., have been demanded by those who’ve been traditionally excluded, especially from larger institutions.
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Memory is a flood, writes Ocean Vuong.[1] It is something we cannot easily control as it is already controlled by different triggers. Except in cases when our memory blocks some, usually traumatic, experiences, everything else can surge at certain moments.
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In my Maturazeitung, it stated that I was adaptable and would rarely say if something didn't suit me. Fifteen years later, it still annoys me…
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My journey to becoming an anti-racism-focused artist, activist and (so-called educator) has been an interesting one…
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At the time I decide to write this text I am reading “Tools for Conviviality”[1] and “Deschooling Society”[2] by Ivan Illich (Vienna, 1926 – Bremen, 2002)…
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When discussing the history of humans fantasizing about robots, one can go as far back as ancient civilizations and find stories that involve automatic, artificial beings…
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Robots are here for a whole while. In different shapes and non-shapes, embodied artificial intelligence and algorithms “improve” our lives and literally improve…
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In light of the proliferation of AI technology and its far-reaching impact, we find ourselves amidst new paradigms of power…
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How I reincarnated but kept the memories from my past life.
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Wolfgang Tillmans had always been interested in how to make a phenomenon longer visible. They could be astronomical, social, or political subjects, and as a photographer, he uses diverse strategies to recall them in our minds. It seems like his artistic mind is already aware of our previous experiences, and he always finds a sensitive approach to show reality to his viewers. He dedicates his work to people and bodies, to landscapes, architectures, objects, and celestial phenomena, since he has been exploring the question of visibility since the early 1990s.
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How can sound explore themes such as gender inequality, sexuality, personal experiences, or collective traumas related to post-colonization? If we take a look at these three performances where the sound became a tool for staying with the trouble - we will probably get closer to the answers.
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As Florentina Holzinger devised her own Divine Comedy, at Kunsthalle, Tscherner also creates an alternative story about the great Narcissus. Compared to Holzingers’s work, the performance is also based on a narrative story, mythological background: Mirror, mirror concept based on the fairy tale of Snow White, and on the Greek myth of Narcissus, both stories connected with mirrors and virtual images. Narcissus in this way conducts a concentrate of his own virtual image, as it refers back to his role in Greek mythology where he eventually falls in love with his own reflection in a pool of water, staring at it for the remainder of his life.
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