The second installment of poorly drawn lemon brings us hardcore societal critique.
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Each month Improper Walls team will select brain and soulfood for you, then stir it up into a newsletter and our brand new blog.
It is the majority's responsibility to create a more inclusive world where everyone, regardless of their inner or outer characteristics and preferences, feels fully safe to exist — seen and out loud. One thing each of us can add to supporting this vision…
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In the summer of 2022, eight creatives went to the 14th biggest city in Serbia. During the relatively short-term residency program, the clear skies opened above us in contrast to the coal-stained smoky lid that vacuum seals the urban and rural landscapes during the cold time of the year.
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“Mr. Lemon, the acid poorly drawn lemon” is the new series by our very own Pedro. In this new cartoon series, we will follow Mr. Lemon, who happens to be a poorly drawn lemon.
Read MoreFarming is the horniest profession. The people of the land? Are people of the hand job. Farmers pinch cow nipples, fondle eggs still warm from chicken coochie, press seeds into the moistness of soil and water them with spectacular, ejaculatory sprays.
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Last Friday, we closed the group exhibition—Hast du Lust?, dedicated to the connection between mental health and sexuality. With topics like these, naturally, a 'trigger warning' disclaimer often appeared in the conversation.
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We think promoting Goran Bregović, a performer who sympathizes with Russian imperialism in such a terrible time for Ukrainians is an ignorant and cynical move…
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Summer fries computers and brains. Pedro's is not an exception!
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The popular plant lover stories written by Lina Piskernik will finally take a less ephemeral and more solid form as a zine!
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Eight years' worth of layers of paint...or Happy Improper Birthday!
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GORSAD - the Kyiv-based trio of artists, Masha Romaniuk, Ulik Romaniuk, and Vitya Vasyliev, specialised in alternative photography and provocative video. GORSAD’s works are mainly focused on youth, feelings and sexuality in all their peculiarities and oddities.
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I have experienced censorship in different ways. I had only a brief encounter with military and totalitarian censorship when I was working on a project about the Graffiti of the Revolution in Cairo—I was warned that certain artistic positions have disastrous consequences, so I had to be careful about what I said and how I said it.
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