Performance + artist talk: ๐๐๐จ๐ฎ๐ฟ๐บ๐ถ๐ป๐ด
Artist: Emanuel Gollob
disarming is a performative exploration of the relation between detached robot arms, artificial environments, and human observers. A learning and unlearning of locomotions in postanthropocentric environments and times. The work playfully explores the ambiguity of disarming as a process of physical detachment and emotional attachment.
Locomotion can be seen as a primal (post-birth) instinct and ultimate act of independence. A robotic limb, somehow detached from a human-constructed technological body, tries to find concepts for advancing movements even though it initially wasnโt made for locomotion โ vulnerable yet determined. Parallel to a familiar dystopian plot of technological autonomy and the feelings going with it, witnessing these first clumsy tries may awaken compassion or even a certain emotional bond. Emanuel Gollob paints a picture of a multi-layered narrative of technology in a relational world with and between independence and still connectedness.
Emanuel Gollob
With his artistic practice, Emanuel Gollob (AT) (b. 1991) bridges aesthetics, human-AI interaction and robotics. Gollob graduated from the University of Applied Arts Vienna with a diploma in Design Investigation (2019). From 2020 to 2021, he was an artist in residence at MindSpaces, an EU research project in the STARTS initiative framework. Since 2020, he has been a PhD candidate and researcher at the University of Arts Linz.
Gollobโs work has recently been exhibited in various international institutions, including Smithsonian Arts + Industries Building, Washington DC (2021); Science Gallery Melbourne (2021) and Art Science Museum Singapore (2022), among others.
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