The exhibition's point of departure is the first photo/visualisation of a black hole created in 2019. As a result, the image of the black hole became an extraordinary visual analogy of a boundless universe. The strange phenomena that occur in space force us to have a deeper understanding of basic conceptions of time, information, causality, necessity, contingency, and determinism. With the exhibition “Domestic Astronomy” artists open up about their cosmologies by analyzing and interpreting the alluring phenomenon of the visuality of space using analogue photography, photo collage, point cloud aesthetics, photogrammetry and other 3D techniques.

Artists: Dalia Mikonytė, Adomas Žudys, Marija Jociūtė and Lina Simutytė

Opening: August 28, 5 PM
Live performances by Neda Rimaitė & Marija Jociūtė: August 28, 6 PM

Part of the LT.art Vienna 2026 festival

Centred on the video work River Rapids, where a potential buyer encounters a Riga Waterfront sales agent in their showroom and teleports to its Belgrade counterpart via portals in the model flat, the exhibition revolves around sculptural assemblies of contemporary oligarchy landscapes, where architecture, caught between promised luxury and the thin air of golden visa promises of landing, is tied together with greed in intraterritorial teleportation urbanisms. The exhibition explores the most desirable vantage point from which to see a spectacular sunset setting over a city with high investment potential.

Exhibition opening and presentation of the bal’26  publication: October 7, 6 PM

Part of bal’26.

bal screenings
Curated by Urtė Špeirokaitė

Through a slow, observant lens, the film programme invites viewers into liminal spaces imbued with a sense of freedom, waiting and the passage of time. From a fairy woman in rural Serbia and a lighthouse keeper on a small Estonian island to the residents of a trailer park  – these stories expose the fragile boundaries of the worlds we inhabit.

Duration: 37 min.

Collective Dreaming is an ongoing research project that explores cross-borders connection and liberation through public programming and writing. Rooted in the post-soviet condition, it engages with questions of colonial violence and intersecting systems of power, while approaching art as a method for expanding imaginaries and collaborations.