In „Warum denkst du an meinen Penis?“ Riedler builds a place to discuss the private and the public using topics like living, work, entertainment, routines, sexuality, regression, self reflection and communication.
LlE TO ME BABY showcases 17 artworks by international artists. It differs in medium and approach to the exhibition’s main topic, which is an invitation to explore and question terms such as truth and reality, production of information, bias, trust, social media, utopias, faith (etc.). This can be through a social, personal, religious, cultural, political or physical approach.
Under Construction showcases an attempt to appropriate the centuries-old technique of etching and use it to create unique sculptures rather than just reproductions of an already existing image. The focus lies on the process itself: works change shape multiple times, involving unusual materials like concrete or the irretrievable editing of printing plates, so that no exact reproduction is possible.
To kick off a new year of audio visual art, sound:frame visits the Reindorfgasse with a collaborative exhibition from January 10 to 12. With „Translation of Complexity“ the exhibition addresses intertwined topics and disentangles complex narratives through art.
In these series of works, Iranian artist Pourea Alimirzaee is focusing on the meaning of a self-portrait and how surroundings, experiences, and even objects impact individuals. The artist prefers to pursue the lighter sides of being, rather than the darker aspects o
The focus of the performative installation • adventure time no. 2 • lies on the relationship between the sweet and unpalatable and the question is asked if such an intimate space can operate within a gallery context.
Juan Manuel Blanes and Gustav Klimt marked a shift in art in their respective nations, having in common that through their art, both of them sought to portray the identity of their own country.
Contemporary Uruguayan visual artist Theic proposes an exchange between two cultures, connecting two cities through the stories, portraits, and philosophies.
WTF by Improper Walls* presents a solo show by
Linda Steiner: A U F A U G E N H Ö H E
"The concept is really simple actually.
I want to paint people who are living on the street.
The societal gap between people is getting bigger and bigger, especially between income levels. The conversation between the rich and poor is almost nonexistent. (…)”
Eva Zar’s upcoming solo exhibition is dedicated to all the F E M M E S out there. Beauty and gender is beginning to be understood as amorphous and shifting. It’s important for us to recognize and celebrate beauty in all its variations.
By photographing people who are not considered a traditional beauty standard, Eva Zar is redefining beauty standards one photo at a time. Through photographing fabulous freaks, she creates her own strategy of survival — for herself, the subjects and the viewers.
Submission Deadline: January 30th, 2018
Selected artists will be informed by: February 2nd, 2018
Exhibition Opening: February 14th, 2018
Exhibition Duration: February 14th - March 2nd, 2018
CLITICAL TALK is meant to portray works of admiration. By women*, for women*.
Beuys on Sale is fresh, proactive, anti-autoritarian and art-market-free.
Beuys on Sale is the cool answer to the philistine, the vulgar and the lowbrow.
Beuys on Sale is not meant to stay.
Beuys on Sale is pan, omni & sapio-sexual.
Beuys on Sale is Rama Lama Ding Dong !
◆bring ARt to life <--> and life to ARt◆
Improper Walls and Artivive App want to showcase art in augmented reality (AR) with a tiny AR exhibition. Artivive is an easy to use tool for artists to create art in AR, with the simple goal of encouraging people to get out and experience art first hand in a new and interactive way.
"Time has always been one of the variables that deﬁne artistic perception, creation and appreciation. It is impossible to conceive art as separated from its time, and although this is something that appeals to all artists, I often ﬁnd that I’m obsessed with the depiction of that time, with the dilemma of encapsulating its perception in a medium that is always insuﬃcient for the fourth dimension."
‘A RIBBON AROUND A BOMB’ were the words André Breton chose to describe Frida Kahlo’s artworks during the time of her first solo show in New York in 1938. The title is both an ode to the father of surrealism and to Frida Kahlo but also a powerful metaphor which functions as a perfect reminder of how art was and can always be a limitless weapon of political and emotional impact.
Under the title DISKOGRAFIE [discography] Illustrators Stefanie Hilgarth and Katharina Ralser are showing a broad scope of their latest works. From commissioned works for major cultural institutions and advertising clients to very private, personal works that are shown to the public for the first time.